EXP 3: Crysis Image Captures & Rationale

LINKS:

http://www.4shared.com/file/tAIMtvH-/EXP3_Draft_1.html

http://sketchup.google.com/3dwarehouse/details?mid=60686e55fc3a9291647f2ec00f18b360


Facebook Building: The Facebook building embodies an element of freedom under the supervision of a controlling body. The roof of the building symbolises the fact that Facebook is watching over its users and providing them with a certain degree of protection. The wires that support the main structure symbolise the use of networking, both physically (through the internet) and creating social networks between people. The fact that these wires hold up the bridge resemble the way Facebook users trust Facebook with their information. This element of trust is shown through a long bridge where the dining table is placed. The semi-monolithic form is also symbolic of the fact that Facebook is a free and open activity but it is still a corporation.

The initial elevator is symbolic of the relationship between an individual and Facebook, in the way that the person enters the situation as an individual entity and joins a group of other individuals. The central elevators are essentially glass pods are the function spaces that one would enter into, that move together with the other pods, symbolic of the numerous Facebook groups, with a glass shell to show the connectivity between these groups and other individuals. Without this central elevator, the building becomes useless, showing that without it's users, Facebook would be nothing.

Coca Cola Building: The solid monolithic structure represents the power of Coca Cola within the corporate environment. The Coca Cola building is far more enclosed than Facebook, showing it's secrecy and the fact that the corporation is dedicated to a fairly strict purpose and function within it's particular area. The entrance to the building and connection to the bridge are also of a very enclosed manner, with just a central entrance way that is sat flush with the bridge surface embodying the public relations aspect of Coca Cola in the way that it can be accessed by anyone (in regards to shares/stocks). The support beams of the structure show that the company is very strong and stable within it's grounds and is made to last. The glass overhang that cantilevers from the front facade of the building represents the way the company is always monitoring what is going on around it.

The elevator of the Coca Cola headquarters is almost a glass box that sinks back into the building, emphasising that the company likes to keep such things are their beverage recipes secret yet they still allow some contact with the public. This elevator and it's particular nature are more centred towards the way a company employee or business person may enter the building.

The Dining Table: The dining table is set along the main section of the bridge and has been widened at either side to allow for circulation space. The table is set on the bridge to emphasise the dynamic nature of the power of these companies and the fact that they are very dynamic and that they do not have time for a separate section for dining. The table and seating itself are very utilitarian and simple to show that both of these companies are centred around delivering products and services that successfully satisfy the needs of their users through function.

EXP 3: 36 Textures

EXP 3: Two Point Perspectives

EXP 3: One Point Perspectives

EXP 3: Article Mashup

Take Two Interactive = http://www.marketwatch.com/story/take-two-interactive-software-inc-reports-results-for-fourth-quarter-and-fiscal-year-2012-2012-05-22

Facebook = http://www.theglobeandmail.com/report-on-business/facebook-battles-criticism-over-its-ad-power/article4250338/?cmpid=rss1


Coca Cola = http://www.theaustralian.com.au/business/companies/coca-cola-amatil-tips-higher-profit-for-first-half/story-fn91v9q3-1226356040576



The strongest contributors study analyzed buying behaviour yet continue to face difficult trading conditions as they face competition from cheaper overseas products after dealing with years of drought and floods. Key assumptions and dependencies underlying  the general population change with time but the leaders maintain their control over the entire population. Although there is much secrecy within the companies themselves they continue to keep their target markets satisfied with convenience through ease of access and many different options to satisfy one's desires. Digitally delivered content plays a key role to establishing connections with a wider market. Users who had been exposed to the brand on the social network seemed to react positively with a rise in brand support and awareness. Such a strategy and would complement any plans to acquire competitive businesses and strengthen its total portfolio and image.

EXP 3: The Site

The Garni Valley/Gorge, Garni, Kotayk, Armenia


http://www.youtube.com/watch?v=RBi21gmAkm0


http://farm2.staticflickr.com/1310/1091777651_052dcb24a4_z.jpg?zz=1

http://farm7.staticflickr.com/6151/6185050848_ff665f204e_b.jpg

http://farm8.staticflickr.com/7024/6504002909_edb8072123_b.jpg

http://farm7.staticflickr.com/6151/6185050848_ff665f204e_b.jpg

ARCH1142 - Montage It! Posters

ARCH1142 - Montage It! Images

ARCH1142 - Model It! Poster

ARCH1142 - Draw It! Poster

EXP 2: Final

LINKS TO MODEL:

http://sketchup.google.com/3dwarehouse/details?mid=3437243ff6b460c97ce3c67b08eefb5f

http://www.4shared.com/file/Hi2rjnt9/ARCH1101_Monuments_1.html

SCREENSHOTS FROM CRYENGINE3:

“Why still speak of the real and the virtual, the material and immaterial? Here these categories are not in opposition, or in some metaphysical disagreement, but more in an electroliquid aggregation, enforcing each other, as in a two part adhesive.”

In reflection of this statement, the use of open and unrestricted spaces question the boundaries between what is natural and what isn't. The monuments themselves combine the amalgamations in a manner both powerful yet functional. Particularly the Holl monument, we can see the connection between the structure and the surrounding environment connect seamlessly.

DETAILS

Reflecting upon the concepts of porosity & pososity, horizontal gaps have been placed through the top parts of the monument as a means of allowing more light to enter and area and generally opening up the scene on both level of the structure.

In reference to Kirokawa's use of abstract symbolism, square gaps have been placed along the top of the main structure. The square is a very vague shape but in this instance is symbolic of structure and resilience.

In response to Kirokawa's use of symbiosis and the juxtaposition of old & new, and technology and nature, stairs have been placed directly from the land into the open area, questioning the open spaces vs the surroundings but also showing a clear distinction between man-made structure and nature.

EXP 2: 36 Custom Textures, Light to Dark

CHOSEN TEXTURES

Light texture: Will emphasise the powerful lines that continue from one monument to the next through the space between. This texture will be used primarily on the circulation spaces and evoke a sense of movement and reflect upon Holl's concept of flexible spaces.

Medium texture: This texture will be placed ont the surfaces that connect with the natural surroundings. This will emphasise the interconnectivity of the terrain and the monuments and reflect upon Kurokawa's concept of sybiosis and the balance between in & out, technology & nature.

Dark texture: This texture will be used on the undersides and internal facing walls of the monuments and the space between. This will be directly opposed to the other white faces and natural light, emphasising the concept of light vs dark. It will also emphasis shadowed areas, making them appear to be shadowed even when they are in full light.

EXP 2: The Landform

View of the opposing cliffs

View out to sea

Bird's eye view of terrain

Access paths

Architectural Studies on the left (the scenic view emphasises the architectural studies students focus on beauty, aesthetics and the connection to nature).

Architectural Computing through the middle (coming from the same source as the Arch Studies students, but taking a different, more technical and structured approach, emphasised by cutting through the terrain).

Engineering students on the right (taking a completely different route, cutting through the terrain in a very structured and clean manner, almost unnatural).

EXP 2: Parallel Projections In SketchUp & CryEngine 3

HOLL MONUMENT (Preserve Site & Memory x Flexibility of Space x Porosity)

Preserve Site & Memory: The building is set at a raised level above the ocean and almost acts as another rock within the environment. It is accessed by the natural terrain to the side and does not impact the terrain. It is separate yet integrated at the same time.

Flexibility of Space: The upper space is extremely flexible due to it's open and unrestricted nature and the lower space is made up of three individual levels, all of which can be used for anything.

Porosity: The use of holes and gaps within the centre structural support beams and room elements incorporates the concept of porosity and allows light to pass through freely.

KUROKAWA MONUMENT (Dynamic Architecture x Symbiosis x Abstract Symbolism)

Dynamic Architecture: The use of large open spaces means that the areas can be used for anything and are therefore very flexible, accommodating and dynamic. The minimal use of structurally binding walls in the rear section means that there is a large amount of open space.

Symbiosis: The use of stairs emphasises symbiosis and provides a smooth yet clear transition between nature and technology. The fact that the space is open also questions open and closed spaces.

Abstract Symbolism: Symbolism is primarily seen in the square holes through the top of the structure, representing the strength and power of the structure. Abstract symbolism can also be seen on the side of the structure with the two large pillars that divide the staircase.

THE SPACE BETWEEN

"The space between" for these two monuments comes about as a means of connection across two cliff faces above a body of water. The design incorporates simple yet powerful shapes and lines that express strength, rigidity and interconnectivity between spaces. From the space in between, students will be given a full view of the natural beauty on both sides but still be given protection from above. The patterns/textures applied to the base of the space between emphasise the key concepts of both monuments, and evoke the balance of light and dark.